Live Show Review: Georgia State Line at the Melbourne Recital Centre.

I recently interviewed Georgia State Line’s band leader Georgia Delves and I knew that she was considered a very talented artist by industry insiders and fans alike, but seeing the ARIA nominated musician live last night (11/11/23) was unchartered ground for me. So I went into her A Very Special Show not quite knowing what my reaction would be. I hoped for the best and even wished her luck pre-show as she surprisingly popped out into the foyer to say hello to the faithful.

Interestingly this was my first time seeing a live intimate show inside the Melbourne Recital Centre, which is renowned for its support for contemporary music and combining it with classical overtures. Soaking in the ambient atmosphere as the lights went down for the show, what surprisingly happened in the next 75 minutes or so was nothing but joy.

First, a three string ensemble (a cello and two violins) took to the stage, followed closely by the band and last but not least Georgia Delves. Even though surrounded by talented colleagues, Delves still commanded the stage with her signature pink hair. Soon enough armed with her faithful acoustic guitar and her incredible vocals, she broke into the first of many new songs which will feature on Georgia State Line’s forthcoming new album next year.

With songs like Habit and Problematic, I soon realised (and felt reassured) only some ten minutes into the set that Delves sure knows how to write great new songs with an abundance of grace and empathy. Importantly I also realised Delves and her band brought that same talent you hear on her records and magnified it on stage. Lead guitarist Tom Brooks in particular in workman-like fashion jammed on his guitar (including the pedal steel). He stood to Delves right (with Bassist Laura Baxter to Delves left) but I sensed he almost wished he could disappear into the ether. Delves of course felt extremely comfortable occasionally making conversation and ribbing the audience telling us how well behaved we were given that the Recital Centre was a far cry from a pub, Delves usual stamping ground.

Jokes aside Delves with her acoustic swung around her neck mainly stayed focussed offering up a joyous, up-tempo strings plus country romp. Standouts included Miss Ya, 3 AM and the rousing Love Is The Strangest which came next to last. The unsung heroes of the night were arguably Patrick Wilson behind the kit, the incredible string ensemble led by Violinist Lucy Rash and an Auslan interpreter, which Delves tirelessly pushed to include, opening the door for a greater audience to enjoy and feel apart of her show. In the end, the show really was worthy of applause. Even snagging the last In Colour vinyl at the merch table felt like a personal victory. I might play it on repeat over the summer while I wait for Georgia State Line new album to drop next year. Can’t wait!